Canadian bass-baritone Daniel Okulitch has performed in some of the most prestigious opera companies and orchestras throughout Europe and North America, including Le Chatelet, Teatro alla Scala, Teatro Colon, Dallas, Washington, and Los Angeles. He is lauded as much for his powerful stage presence and dramatic abilities as for his “focused, resonant bass-baritone that he wields with power and sensitivity” (NJ Star-Ledger). His signature roles show a dedication to both traditional and new works, including the title role in Don Giovanni both the Count and Figaro in Le nozze di Figaro, Joseph DeRocher in Dead Man Walking and Olin Blitch in Susannah. “Okulitch was a dynamic and effective stage presence; he almost stopped the show the first time he strode on stage and sang his opening notes (…) by far the most developed and projecting singer in the cast.” ( NewJersey Star-Ledger).
Most recently Daniel debut in the role of Leporello and his revived the role Lyndon Johnson in JFK with L’opera de Montreal, made his return to Vancouver Opera as Joseph de Rocher in Dead Man Walking, his debut with New Orleans Opera as Don Giovanni, and his debut with the Israel Philharmonic Orchestra as Figaro in Le Nozze di Figaro. In concert he debuted the Toronto Symphony Orchestra with Maestro Nicholas McGegan in Handel’s Messiah, performed Bach’s St. John’s Passion with Master Voices at Carnegie Hall, and returned to the Grant Park Music Festival to perform Frank Martin’s Oratorio In Terra Pax. Prior to that he performed the title role in a new production of Don Giovanni at Santa Fe Opera and The Lyric Opera of Kansas City, LBJ in the world premiere of JFK with Fort Worth Opera. Prior to that he debuted L’Opera de Montreal as Lieutenant Horstmayer in Kevin Putt’s Silent Night, the role of Herman Broder in the world premier of Enemies a Love Story with Palm Beach Opera, the role of Ennis Del Mar in the world premiere of Brokeback Mountain at Madrid’s Teatro Real, the four villains in Les Contes d’Hoffmann with Edmonton Opera, and Creonte in Medea in Geneva. Prior to that he joined the cast of the Metropolitan Opera for their production of Don Giovanni, and returned to Santa Fe Opera as the count in Mozart’s Le Nozze di Figaro. Guture engagements include the role of Mark Rutland in the world premiere of Nico Muhly’s new opera Marnie at the English National Opera, followed by Don Giovanni with the Russian National Orchestra in Moscow, the role of Enis del Mar in a new production of Brokeback Mountain with New York City Opera, and a return to the Santa Fe opera as Leslie Groves in Dr. Atomic.
In concert he recently performed Beethoven’s 9th Symphony with Indianapolis Symphony and Haydn’s Harmoniemass at the Grant Park Music Festival. Prior to 2014-15 he performed Don Giovanni with Vancouver Opera, the role of Escamillo in Carmen and Giove in La Calisto with Cincinnati Opera, the Pirate King and in The Pirates of Penzance and don Giovanni with Portland Opera, and Sharpless with Calgary Opera. Recent successes include his return to Teatro alla Scala as Swallow in their production of Peter Grimes, the role of Willy Wonka in The Golden Ticket with Atlanta Opera, a return to the Los Angeles Opera as Figaro in Mozart’s Le nozze di Figaro, his debut at Theatre Wielki in Warsaw as Mozart’s Figaro, Beethoven’s 9th Symphony with the Vancouver Symphony, and his New York and Toronto recital debuts.
Other notable highlights include his Santa Fe Opera debut as Abdul in Menotti’s The Last Savage , his New York City Opera debut and his Palm Beach Opera debut as Don Giovanni, a success with Vancouver Opera as Mozart’s Figaro, Calgary Opera as Frederick Bhaer in Little Women, his Opera Theatre of St. Louis debut as Willy Wonka in the world premiere of The Golden Ticket, and his debut at Teatro Colon in the role of Don Giovanni.
Also of note is his success as Seth Brundle in the world premiere of The Fly at the Opéra du Châtelet in Paris and the Los Angeles Opera, his Teatro alla Scala debut as Theseus in Britten’s A Midsummer Night’s Dream, Figaro in Le nozze di Figaro for the Dallas Opera, Escamillo in Carmen at Vancouver Opera, Swallow in Peter Grimes for his debut at the Washington National Opera, and the title role of Jake Heggie’s Dead Man Walking in Ft. Worth and the Calgary OPera in the Canadian premiere of the opera. In the 2007-2008 season, Daniel made his role debut at the Michigan Opera Theater in Detroit in the title role of Le nozze di Figaro, as Colline in La bohème in Vancouver, and the world premiere of David Dichiera’s Cyrano de Bergerac in Detroit.
Earlier in his career he debuted the title role of Don Giovanni for Opera Ontario, which he repeated for the Hawaii Opera Theater and Lyrique en Mer, sang Inspector Gert Osterland in the world-premiere of Thomas Pasatieri’s opera Frau Margot at Fort Worth Opera, performed Masetto with Vancouver Opera, Blitch in Susannah with the Boheme Opera in New Jersey, the Bosun’ in Billy Budd with San Francisco Opera, followed by a recording of Chausson’s Le Roi Arthus with the BBC Symphony Orchestra in London, Fredrich Baeher in Little Women at Fort Worth Opera, Demetrius in A Midsummer Night’s Dream with Utah Opera, Masetto in Don Giovanni with Opera de Marseille, and Laski in Chabrier’s Le Roi Malgre Lui at Avery Fisher Hall with the American Symphony Orchestra. In the 2004 season at San Francisco Opera he performed Donald Gallup in Virgil Thomson’s The Mother of Us All and made his Carnegie Hall debut in in Vaughan Williams’ Dona Nobis Pacem, and was lauded for his performance of Lev Nikolaivich in the World Premiere of Guest from the Future by Mel Marvin at the 2004 Bard Festival.
Mr. Okulitch is the recipient of numerous awards and prizes, including the Singers Development Foundation, First Prize from the George London Foundation in 2004, The Sullivan Foundation 2004, 2nd Prize from the Licia Albanese/Puccini Foundation Competition, 1st Prize from the Joyce Dutka Arts Foundation in 2004, a Grant from the Singers Development Fund in 2003, 5th Prize in the Palm Beach Opera Vocal Competition in 2002, and was a Regional Finalist in the Metropolitan Opera Auditions in 2000&2001. He is a 2006 recipient of a Canada Council Grant for Professional Musicians and received the Andrew White Memorial Award and a Corbett Award while a student at the Cincinnati Conservatory of Music, where he received an Artist Diploma in Opera, after completing his BM and MM degrees in Voice and Opera respectively, from the Oberlin Conservatory of Music.